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SPL Attacker: Transient Designer Free

After many days of no return with good news!

German geniuses audio processing, the company SPL, celebrating a year of their plug ins Analog Code technology, and do so giving away one of their plug ins: the Attacker .

The Attacker is a plug-in based on the magnificent Transient Designer, which uses a transient processing technology developed by the company, which they call differential casing. The Transient Designer allows you to completely change the dynamics of each transient and the portion of "sustained" below, but unlike a compressor, it does regardless of signal level.

This creates sounds with more aggressive attacks or softer, and also enhance and "extend" the steady density of each note giving the interpretation. As the processing is independent of signal level (as opposed to a compressor), the sound is even and imparting processing occurs whenever a new character to the recording.

Well, the Attacker is less flexible, and gives you only the initial transient process and not on the portion held. However, it is a plug-in that normally has a cost of 59 euros, so you can imagine that not being less flexible is bad or limited, quite the opposite! Will serve to give new life to bass, drums or trumpets. In short, everything that feels a little loose and need a little more present, the Attacker may be the solution.

The promotion runs until 15 November, so I do not think more. Download it Here .

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Editorial 09/09: Musical Genius and Virtuous Bikini

remember when the stars of the music industry were really talented? Some are very young, and very little recall of those teachers. Thank God for YouTube, which allows us to relive those moments of genius Music.

butt I will share these two videos below, the first by BB King and the other by Ray Charles. The thing that struck me is that the musical beauty of these interpretations is more of a rustic beauty, especially the first part of the video of Ray Charles.

not hear a string quartet super smooth but quite dissonant tones, and even mispronounced words. Of course it is all part of the charm ...

So maybe we should go back a little and wonder what made these musicians so successful, and do not talk about money. Successful in the sense that actually conveyed sensations, feelings and situations, and therefore the People love them. Maybe we're a bit distracted with all this technology ...

may also be that we are distracted with both Bikini. What do I mean? Well, the presentation of Britney Spears (one of the "divas" of today's music), which presents its list of 10 things that would change if she were president of the United States. Not only that, but to the thousands of naked (and not so partial partial) in the videos, and start making singers of talent and then forced to "change strategy", although not even have the meat to do so. What I worry about all this is that if Miss Spears would not be launched for president wonder if she won ...

For refreshing it is for the view, having this kind of "divas" leading the top ten, and being the subject of the bulk of the support of the record is not good for music culture. It is very good for the wallets of everyone involved, but encourages mental laziness, it ruins the musical palate, and sends the wrong message to future generations of music.

Well, not only distracting bikinis. There are bands and solo writing silly songs, the kind that one could make thousands in a week, and then enjoy the best producers and the best advertising available. I wonder because there are currently supporting someone with real talent? Overall, the bulk of the population consume what you sell.

I know nothing I can say in this blog is going to change anything in the industry, but it might affect more than one player and that's why I do it. Never in history have we had the opportunity to record music with sound quality that we have available today, for very little money, and in the comfort of our bedrooms. But the sound quality is suffering day by day.

Let us be part of a counter-culture, a culture of music appreciation. Hip hop, salsa, electronica or whatever, no matter the genre you can make music with passion, or mediocre music to earn $ $ $. Good music has become a niche product, it is increasingly difficult to find. How many times have we wanted to be part of a club very locks? a club of luxury car owners, or a club of millionaires, etc. Well, lovers of good music are a club that currently seems more exclusive than any other, thanks to the internet, your membership and even the music itself may be free in many cases.

Come join us and relive the musical genius of yesteryear.

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adds there: Music Inactivity Week

Ha ... I just wanted a title funny to announce that I will be out all week. I got a job at last! (Joy), but nothing to do with audio, and probably take my time to blog and for music (Sadness) ...

I'll be in training all week, away from home. Dan wanted to have even a mandolin or harmonica to carry, and do not stop the music business! Does anyone have any unit / special instrument to make music when traveling?

Well, Fundamental Frequency continue in one form or another, perhaps at a rate lower, but here we are.

Greetings!
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Isone Pro: Binaural Simulator by Jeroen Breebaart

That of "binaural simulator" may sound very complicated but it is not. days ago announced an entry was about to be released a new plug-in that would help working audio using a headset (headphones) as a means of monitoring. Well now available, called Isone Pro , and costs only 20 euros!

This new VST plug in Jeroen Breebaart be a godsend for many, as there are a lot of producers and musicians for one reason or another are forced to mix and master using headphones to monitor.

If you are unfamiliar with the problems that can arise when using headphones to mix and master, read my tutorial on Mix With Headphones. Isone Pro eliminates these problems by simulating the acoustic events that the ear perceives the audio playback using a monitor inside a room. It has control over the size of monitors, distance, room size, and more. Jeroen

Breebaart is a true scientist working in research laboratories Phillips. Part of her job is hearing binaural, so you can imagine that Isone Pro is not the product of improvisation. I have high hopes for this plug in, and only 20 euros, can be the perfect solution for those who at some point we have to use headphones as a means of monitoring. I try it soon, pending my impressions.

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Tube Driver Nick Crow (free vst plug in)

Well, one thing is certain in terms of software simulators to tube amps: not sound like the hardware .

course this does not mean to sound bad, there are some excellent. Especially as the amp simulator plug ins to tubes Nick Crow , Useful both guitars as in any other source you need some "dirt" and "edge." Add it to that they are free, and really there is nothing to criticize.

The latest addition to its already acclaimed harvest is the Tube Driver Version 1.0. Pipe is a simulator that apparently the developer recommended even for processing complete mixes.

The Tube Driver has some interesting features like the ability to define the internal resolution which processes the audio signal. Of course Oversampling has , which is essential for distortion and saturation . Checking "on Max Render" you can choose audio a lower resolution when blending to save CPU, and then to render time the plug in use the greater oversampling available.

Another interesting parameter is "Drift." Some analog devices are not as accurate, and the value of constantly changing parameters in small quantities, giving variety and richness to the sounds. "Drift" do the values \u200b\u200bof the parameters of the Tube Driver thus vary from very subtle to very noticeable.

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Glossary: \u200b\u200bGlossary

Proximity effect is the increase in low (bass) in the frequency response when the sound source is close to the microphone. The closer the microphone is voice or instrument recording, capture more serious.

Proximity effect is a side-effect of designing microphones directional polar pattern, which is why omnidirectional microphones do not suffer.

Depending on the design of microphone proximity effect can result in a bass boost of up to 16 dB, usually focused below 100 Hz

A vocalists they like the proximity effect because it makes the voice sound more "heavy" and full bodied. However, one must be careful, increased frequencies in the signal can occupy the entire available dynamic range, causing distortion. Also, if the singer is on the point of "eating the microphone" :-), but there is no distortion in the mix rocking or preamp, you may already have been introduced to the signal distorisión overloading the diaphragm or electronics of the microphone.

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Proximity Effect: Acoustic Suspension

The vast majority of speakers, cabinets and guitar amps, and audio monitors have an outlet. When the cone moves back and forth, moving the air inside the speaker cabinet which goes through this opening.

In Acoustic suspension design (Acoustic Suspension Speaker Design) cabinet is sealed. It is primarily used for design of sub-woofers, acoustic suspension design uses the air inside the cabinet as a "spring" that returns the cone to the position.

This design allows the use of larger woofers, massive and heavy resproducción resulting in lower frequency and with more volume. However, the resulting horn is more impaired in terms of energy use, requiring more powerful amplifiers than traditional designs.

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Tetra

Tetra The synthesizer Dave Smith Instruments was released a few days ago, but I was hoping for some video so you could appreciate what this synth. Big City Music and put him on YouTube, so I include it along with Dave Smith's own showing his latest creation.

Ok, I'll tell you what you hear in the videos: The Tetra is literally 4 Mopho in one box. The difference is that Tetra has 4 voice polyphony, each voice retaining all Mopho synthesis architecture, including the sequencer 16 x 4. That means that for each voice of Tetra have 4 step sequencers of 16 steps each of which can be freely assigned to virtually any synth parameter.

A sequencer 16 x 4 for each voice is astonishing enough, for that you add the 4-part multitimbral capabilities, sound capabilities are endless. The Tetra can be used in "Multi", where each voice is a monophonic synthesizer combierte individual with its own sound, and even his own physical output. Each voice is controlled by a separate MIDI channel.

In "Combo" 4 voices can be stacked together to create sounds chubby and very stuck. Also this way (as you can hear in the video) can be used to trigger sequences of up to 4 voices sequencer with a 16 x 4 for each voice. Also in "Combo" can create sounds in which each voice polyphony interpret a different program, subtly changed, or drastically different.

The Tetra can be chained with other Tetras, or with other Prophet 08 to add their voice polyphony. Priced at $ 799.00, the Tetra is a real and attractive option for those who have always wanted the analog sound of the Prophets.

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Dave Smith Instruments Glossary / Tutorial: Rest in Peace Volume

all know that the volume in excess hurts our ears,
but there are many more aspects of the volume that we know.

seems that the volume (in terms of audio) is a term too simple, everyday, but really define it can be difficult and deep, because there psychoacoustic and even psychological factors to be taken into account .

"Volume" is the word most used to describe the perceived intensity of sound. If a sound is weak, say it has little volume, and if it is strong, we say that has too much volume.

Do not confuse volume with sound pressure level (measured in dB SPL) for sound, or wave amplitude for audio. The latter are expressed in quantifiable terms that can be measured accurately, and although they are directly related are not synonymous.

The volume is a subjective term. It has to do with the perception of the listener, and is not intrinsic to a sound source itself. For example if we measure the volume generated by a guitar amp, the perceived volume of the enclosure would depend on where you are the amplifier and the listener. Depend on the size, the material surfaces, and other objects that share space. Also depend on the distance between the amplifier and the hearing person. More surprising still, would also depend on the person himself, as two people may have different perception of the volume of a single sound, even playing field.

volume also depends on the frequency. A sine wave to 8 kHz, shall not be heard with an equal volume of 80 Hz Our ears are more sensitive to the frequencies corresponding to the human voice (talking, not singing), approximately 1.000 to 5.000 Hertz. This makes sense from an evolutionary standpoint, since the dynamic range and frequency spectrum of the human voice is very limited, and we need to filter it out of all the sounds to be able to communicate with others.

The volume measurement units are Phon and Sone .

10 is the magic number

use the number 10 in the definition of the decibel and decibel , is for the purpose of creating a unit that is about The JND sound. The human ear is not sensitive to variations in sound intensity too small. Because the volume is in essence the way it is perceived intensity sound, it takes about 1 dB of variation in sound intensity to have any perceptible change in volume.

In fact the sound intensity should increase by a factor of 10 for the volume to be perceived as double. You could say it takes 10 violins produce a sound that is perceived with twice the volume of a violin.

As in every subject, the JND also depends on the frequency and loudness level. A levels and low frequencies the ear is less sensitive and requires larger variations in the loudness to perceive a change in volume.
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Our ear has other idiosyncrasies in their perception of the volume that might seem "wants hearing," but really they all have a role. Here are a few of them:

- Sounds with the same sound pressure, but different band width, are seen with different volume. The wider the range of frequencies that make up the sound, more volume is perceived. For example if we have two sounds, both with center frequency to 1.000 Hz and 60 dB SPL. The former has a bandwidth of 100 Hz, from 950 to 1050 Hz the second a bandwidth of 200 Hz, 900 to 1.100 Hz

- The sounds of short duration are not perceived with the same volume of the long term, even if they have the same sound pressure. For example at 1000 Hz, a sound with a duration of 3 milliseconds should be 15 dB louder to be heard with a volume equal to a sound that lasts 500 milliseconds.

- Music at highest volume is perceived as more pleasant than at lower volume (obviously to a certain limit), but nothing but the volume has changed. This is partly due to higher volumes the frequency response of our hearing becomes more flat and balanced.

- In the last two principles are "justified" over-compression of music. By compressing and severely limit the audio material is "flattened" Transient Initial notes making each syllable or note is a more even sound intensity throughout its duration. This makes the music to be felt with greater volume, and deceiving our ears, more enjoyable. The problem is that the effect only lasts while listening fatigue comes, and it happens in a couple of minutes. Then he loses sensitivity at high frequencies, and distortion of compression is more evident, he just wants the listener to this point is rest their ears. It is impossible to hear a full album when it was over compressed. Application



Understanding the nature of the volume is not an idle task for producing and mix music. When mixing and mastering for example, we have seen that over-compression can cause adverse effects in the listener. We know that

1.000 to 5.000 Hz (approximately) the ear is more sensitive. If you want some element of your music on out in the mix, usually equalize so that you do an enhancement of 3 dB or more in this frequency range make it.

We also know that the broader the bandwidth, our ear is more sensitive to the change in intensity. It is also why equalization using wider band widths (Q largest in parametric equalizers) are more noticeable. Of course it all depends application. Sometimes we do not want EQ is perceptible, as when using an equalizer to filter some annoying feature of a sound (like wheezing of the voices). Equalization with an extremely wide band width is noticeable, but in a very natural without affecting too much the overall sound balance.

One of the most effective mixing techniques is the use of filters. Frequencies that are filtered contribute nothing to the mix, or in the context of the piece to be mixed, they provide useful elements to a particular track. For example, a flute, below 200 Hz or so there is nothing to make a substantial difference in the timbre of his sound, but impairs other important sounds in that frequency range. However, when filtering a track (especially the bass filter) are reducing the volume received, so we have to reconsider the level of the clue to the total mixture. A good tip is to start filtering out the bass on all tracks other than bass and drum, approximately 85 Hz, and then balance levels. As the mix progresses you can begin to filter above, but start with the serious balance levels below 85 Hz filtered, gives us a better idea of \u200b\u200bhow much we need to enhance or reduce each track and the type of EQ you will need.

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Les Paul

Les Paul was an inventor and innovator whose achievements revolucioanron music and music technology. Among many other things he pioneered new techniques of playing the guitar, the development of solid-body electric guitar, multi track recording, as well as the development of many effects like delay and phasing Tape. He also developed countless recording techniques that are used to today.

His genius was unbounded. Once built his own disc cutting machine (of which they used as masters for the vinyl), used auto parts!

The guy had 94. But counting or 3 times that amount could reach everything that Les Paul was a true genius, deserving and will be remembered. You can read more about his life here .

Rest in peace
Les Paul
1915 - 2009

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Editorial 08/09: The Studio Portable

Today you can take a music production studio in the pockets of
your jeans! Pictured P. Series Vaio PC

In recent years technology has become, in size and price, considerably smaller. We live the golden age for those who want to produce music, and this is just the beginning. It's impressive sound quality can be obtained with a home studio. Converters A / D / A, microphones, pre amps and more ... Everything is available at an affordable price, and audio quality so good that only about 10 years ago would have seemed science fiction.

The new frontier is mobile technology, and is reaching unbelievable levels. In the audio world is no exception. Just to see the number of portable audio recorders that have come onto the market in recent years. Some, like the Yamaha Pocket Trak 2G as small as a couple of pencils together. Others like the H4n , but not so small, they are practically a complete study in a single housing.

course there is no more profitable unit in the mobile audio production laptops. Mac or PC, expensive or cheap, and colorful ... Almost any laptop on the market today is capable of supporting a pair of virtual instruments, and some many more audio tracks. I've even been able to run 6 audio tracks and two virtual instruments on a Netbook. Technology is wonderful ...

For audio interfaces are an endless number of options if you want is mobility. My Fast Track Ultra is one of my favorites because of the large amount amlificadores pre connections and combining in a lightweight portable package. If you do not want as much, the new Apogee One seems to be one of the best options for the mobile studio. It even includes its own condenser microphone! Many of the portable audio recorders (such as Zoom), can also function as an audio interface.

course with miniaturization are some sacrifices. . .

For audio interfaces, the smallest and laptops will have fewer connections, and certainly less pre amplifiers. There will always be a sacrifice, it is your duty to find and evaluate if it is not important what you do. For example a device like the new R16 Zoom has tons of features, and certainly many pre amps and connections. However their faders are ultra short, so it is a means of mixing and DAW controller pretty mediocre. Does that improrta? Depends on the application ...

For computers, usually for the price of a notebook can get a desktop with better performance. It is easier to update and maintain it to a desktop PC, and considerably cheaper. Then there is the issue of ergonomics and comfort.

Also, the overheating of laptops is the most common cause of damage. It is not unusual to see a collapse laptop before 2 years of use. Right now I'm repairing a Vaio that over heated so that the CPU thermal compound melted and ran off leaving your site without cooling the processor. The cause? Used the computer on the bed, blocking the air intake is underneath the machine. One could argue that the user's fault but that of our own design of product, but these intakes are very easy to block, and if you use the laptop on a dusty surface, the air intake becomes a vacuum that ends fill the sink with all kinds of particles, eventually leading to overheating and collapse of the system.

When choosing between a laptop and a desktop, the decision should be based on a simple pregutna Why I want a laptop for music production? Some valid reasons to choose a laptop would be:

- Travelling and need / want to keep producing music on the go
- going to make recordings, or do you perform live at different locations
- You can only have one computer, and you need a laptop for your tasks unrelated to
audio.

Choosing a laptop just for the "cool factor " is not a good idea, because you'll end up sacrificing many things to change nothing.

Perhaps the Holy Grail of laptop technology to come true the day we can add a computer in our brains. We could spend all day writing music without disturbing anyone, and nobody would notice. Then mind our recordings via Wi-Fi to our computers, then the internet, and worldwide success! But ... How would presume then our team forums and blogs. . .? :-) Well, it will be a mess when the nano technology to invade the world of digital audio. Meanwhile, today's portable music production technology is a reality, take advantage of it!

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6 x 1 in Plug ins IK Multimedia

Ik multimedia, shortly after being released T Rack 3, launched the series T RackS 3 Single. Consists of T Racks processors, but individually and plug-in formats. Each has a value of $ 99.99, which is fair enough considering the sound quality of them.

However for some of us pay $ 100 for a single plug in is not financially viable. Well, this is your opportunity to arm you with the quality of T Racks, for a great price. It turns out that if you buy a single plug in T Series Racks Single, IK Multimedia gives you 4 more, and one of their plug ins reverb! That's 6 x 1, $ 550 in plug ins for only $ 99.99, and only $ 16.66 per plug in ... could not ask for more.

You have until August 31, 2009 to purchase and register the plug in to buy, and then gives you access to the rest.

The economic situation is difficult, but this is an opportunity you can not miss. I already demanded a bit more to my already overloaded credit card:)

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Jeroen Breebaart: If you can mix with headphones

Breebaart Jeroen is a developer of plug ins for ultra high quality and very cheap too. Turn out to be a bargain for the quality of their sound. The package of all commercial VST plug costs only 35 EUR and 10 EUR individually. A real bargain!

also has some free, that are as good (or better) and commercial in its audio quality and processing. In most cases the only difference is that the commercials will give more configurable parameters. You can download your free VST plug in here . Omniverb is my favorite free VST reverb and Ferox is a versatile processor to add character to your tracks.

Jeroen As it turns out now is developing the Isone Pro, a plug-in that helps you mixing and mastering audio using headphones. If you are unfamiliar with the reason why mixing with headphones is not the best, read this entry . Pro Isone correct audio problems with headsets work through "virtualize" a room. This is achieved by artificially generating acoustic events all occurring at the audio monitor, using a speaker (speakers) within a room.

Input Mixing with headphones on is one of the most popular of this blog. It recommend the plug in Freeware Crossfeed and EQ, which works very well. However I have high hopes for this new plug in, as Jeroen average teenager is not a hacker that has been made to set VST effects. In fact he works for Phillips in research and development, and is a scientist who has done several jobs for DSP processing and binaural listening, ie spatial location of sound (his briografía ).

It's obviously someone who knows his stuff, and judging by the quality of their other plug ins, I have many expectations for this new project. Is pending, to be informed.

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Tutorial: Tips for recording stringed instruments

Well, taking advantage of this excellent video I wanted to share with the readers of Fundamental Frequency, thought I'd share some tips when recording string instruments. The mandolin and violin are two of my instruments favorite. They are so organic, and notebooks, which the performer is one flesh "with the musical instrument.

The violin and mandolin has lots of character, a sound almost "raw" a bit rough at times. But they can be sweet and subtle. As you can see in this video, but the musical performance is nearly flawless, in terms of audio quality there is much to be desired, especially as she was wanted to "sweeten" the sound of the instruments. Mandolin sometimes sounds like classical guitar and violin synthesizer takes a character at times.

This is mainly because the recording was done using some form of tablets, instead of miking the instruments. It also appears that they spent a little hand with the post production, and to my taste, too much effect. Surely there will be enough EQ.

Taking into account some considerations on stringed instruments, and how you record, you will be able to capture a more natural sound. Takes into account when reading my advice, which I personally like to listen to a recording of an instrument idiosyncrasies. I like to get a sound rather crude, with some imperfections here and there. As always, everything depends on the situation, and how you want the producer and artist.

course guiatarras talking about in this mini tutorial, we speaking of acoustic guitars, steel string or nylon. Electric guitars are another story altogether.

of stringed instruments ...

- not the strings that produce sound:) The strings transfer their vibrations to the bridge, and it transmits them to the "cap" or upper body of the instrument. This makes the air inside to resonate, and produce sound. It is always better as a guitar top is solid wood and not plywood.

- Sometimes it breaks the rule, and of course the driver is the ear. I have a guitar Yamaha F350 superbarata plywood, even the lid. And it sounds better than many solid wood I've heard. The F series of Yamaha guitars are an excellent investment.

- Sound NO out the holes in the body of the stringed instrument. Whole body vibration (especially the cover), projecting the sound in all directions.

- old Strings: MAL, new strings: WORST. Seriously, sometimes quite used ropes may have a more even tone, and can better sustain the tuning new strings. Do not misunderstand me, when you go to record change your strings. But do not change just before recording, the strings have to go through a process of stretching, after which no longer cede, and keep the pitch.

- Everyone knows the sound of a finger slides along a string of an acoustic guitar, and produces a squeak. All string instruments produce sounds "secondary" similar. Do not fear them, are not defects, are part of the character of the instrument. Of course we speak here not exaggerated and unobtrusive noise generated by poor technique of the interpreter.

recording string instruments ...

- definitely need a microphone outside to capture real character of the string instruments. The pickups (guitar pickups) electroacoustic, useful and high quality it is, is an "imitation" of sound electromagnetic real. A single pill is not able to grasp the intricate interactions between all parts of a stringed instrument, because all parties contribute to the final sound.

- Even though the instrument has a microphone inside , pill instead of a solenoid, will not capture a natural and open sound. Would hear a speaker from within his cabinet! When we hear the instrument, the waves have already been "developed" in the air. Also the sound has already interacted with the environment, and these reflections also take the microphone.

- In any case it is best to record the amplification system that contains the instrument (microphone or pickup electromagnetic) along with the signal produced by an external microphone. This will give you options when mixing, it may signal a certain character is you want to emphasize, then tries to combine the two and make the best of both to create the desired sound.

- When recording the two signals as explained in the last paragraph, there are two things you should consider. First, you have problems POSE phase that thin sound, or give you a nasal and distant character. This can occur if you record the same source, using two different media (including two microphones). Find out about the issue and how to deal with, because it goes far beyond the scope of this tutorial. But I will say that there are several ways to solve problems of phase, even with plug-in. Second, you should use EQ sections to use them you want sonic spectrum of each signal. For example, the signal of an electromagnetic pickup can be very useful to enhance the sound of the plectrum on the strings. But to avoid phase problems, and to get a clean sound, it is worth filter out all other frequencies that are not wanted, or that are redundant with the other signal.

- Need a condenser microphone. Dynamic microphones are not SENCIBLES enough to capture all the details of a stringed instrument. As always, the application and heard the shots. An acoustic guitar with steel strings running a tearing rhythm is a good candidate for a dynamic microphone, which could give a somewhat more aggressive sound. As for condenser microphones is also worth considering the small diaphragm. These will give you a little less bass response, which in any way in most cases, filters to mix. It also attacks the notes will be a bit rich and defined. If you have a descente acoustic space, trying to prove other polar patterns, especially the omni, which can lead bass sound much more natural, and a generally more open and "large."

- There are no rules written in stone on which to place the microphone to get a good sound. The only golden rule of the microphone that I dare to state is: "Never be miking the most strident of the source." In the case of a stringed instrument, that part is the holes in the body. The round in the case of guitars, and holes in "F" for orchestral instruments and mandolins. Gujer goes by too much air, and sound that will get rather dirty in the lower middle and low, with a blur. A good place to start testing is the part where the neck joins the body, about a foot away. If you want less bass and more sound of the strings, turn up the microphone to head. If you want more bass, Draw closer to the body, without actually putting it right in front of one of the holes. Some resonances miking bass can be caught behind the bridge, either side of the street, or behind (yes, nothing prevents you mic the guitar from the back of the interpreter). Although in my experience this is useful only when the string instrument has a role in the piece, and he wants to give weight and even balance throughout its frequency range.

- Of course you're limited to using a single microphone. For example, for a guitar, you could use a large diaphragm behind the bridge, another large diaphragm as well, where joins the neck and body. And one more, this time a small diaphragm, near the head, pointing to the dishes. Then combine to achieve the desired sound, or if for example somewhere in the song need more body, active since the back of the fret. Then you need more sound of tearing, and ropes, you activate the small diaphragm. Not to get into stereo miking techniques, which obviously would need 2 microphones ...

- Sometimes a bit of distortion or saturation give the violins those extra harmonics that need. Of course you have to be sooo subtle, we want to make it appear that Van Halen is playing instruemntos conductor.

I hope my tips help you get better recordings.

Finally, I urge you to dare to test the sound of your stringed instruments, leaving a little more raw. Do not worry about the noises, sweetened or both. You will see as though at first it sounds a bit odd, then give you a sense of naturalness and realism.

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"Mackie Mixers and Pro Tools?



WOW! WOW! Wooooow!!

Impossible! It now appears that certain interfaces Mackie work with Pro Tools M-Powered. I saw this news on Sonic State, announcing that Mackie has "cracked" the code Digidesign, and has made it possible to use some new Mackie consoles with Pro Tools M-Powered.

When I saw the title I thought "That should be illegal," but after seeing the video, and careful thought, I'm convinced it's a publicity stunt for a new Pro Tools Mackie Powered . Go! Mackie managers are no fools (obviously) can not be made over to Avid. Surely

USB dongle will still be required. Pro Tools has remained one of the few programs that have the status had not been cracked, and I think that Avid is willing to change that.

Well, more options for users, we always have to be good news. . . Here's the video of Sonic State:

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Interview with Chema Alonso

Hi everyone!

From now on, and on a monthly basis, we will devote a little space to interview security experts from Microsoft and other companies. Try to be a different space, more collaborative with the readers of the blog, so be open to your participation.

You can propose topics and suggestions guided you to the following email: i-merma@microsoft.com

opens first interview Chema Alonso, Technical Director of Information Technology 64 and Microsoft MVP. What be MVP? For those of you who are not very familiar with the term, the program Most Valuable Professionals (MVPs) consists of a community of technical leaders throughout the world, who were rewarded for voluntarily sharing knowledge. Persons of recognized standing, absolute reliability and accessible have extensive experience in one or more Microsoft ® products who actively participate in online communities to share their knowledge, experience and help others.

1. How were your beginnings in the world of computer security?

My involvement in this world were from an approach from the world of computer systems. I came to work with databases, networks and technologies with Microsoft's servers and get to the security world was a simple way and almost mutual attraction. I loved and had a great need professionals at the time.

2. You you're a person of etiquette ... your holidays are known around the world: China, Argentina, the U.S. ... How think that is Spain compared to other countries in terms of security?

This is a question I get asked many times and always I have to qualify it in sections. I think we have great professionals and a large community of experts. Just look at English as there are professionals in key safety equipment of big business. Case of Fermín in the MSRC Microsoft, Palak in Yahoo and many more. Also, you just have to see that we have representation of English professionals in major international conferences such as Defcon Sexy Panda and David Barroso at the last RSA.

This is noted in regard to security companies in Spain, groups like Hispasec, Panda Security's laboratory, safety equipment or S21Sec SIA, to cite one of many that there are very high level.

For companies in general, few have taken awareness of safety. Have made progress, especially large ones, investing in technologies, products and audits, but have not yet gotten the safety culture in their processes. As for the medium and small, begin now to think about it very cautiously.

3. How do you think the crisis is influencing decision making in the area of \u200b\u200bsecurity?

is a difficult question. I think that curb investment in security is counterproductive, but I suppose that those responsible for budgets should be much thinner now. It is clear that the alignment with the business by IT teams must be especially careful at this time to help generate more productivity for businesses, but a lack of investment in security can come out more expensive to generate a new path investment security risks do not remove it. Do not forget The security teams are not only affected by lack of business continuity, image or scams, but there is also an existing legislation to meet that obligation to maintain a secure infrastructure.

4. What do you think are the security trends for companies in the long term?

For long term I do not know, but in the short and medium term have many challenges ahead. The first of these will remain the classical threats to defend against new mafias performed by using malware and botnets. Next, companies are challenged to defend themselves, and more at the moment, against the risk of information leakage, theft, espionage, etc. .. caused by attacks or internal negligence.

addition, we have technological challenges at the country level, the integration of e-ID, the final implementation of the Data Protection Act, standardization, ISO 27001 and the impending arrival of e-administration with the law Access makes the security landscape is in a frenzy of activity.

Stand in this race may involve delaying a competitive company or organization.

5. What advantages do you think provides proprietary software against open source software compared to ensuring the privacy and information security?

really do not think that proprietary software is better or does not provide a structural basis. What is certain is that there are commercial software products have no competition in the free software world simply because the business model of free software in this field has not generated enough money to stay competitive.

free software projects have good, reliable and safe, but these are very few compared with the vast majority of them do not have the resources to maintain a constant developments are a real uncertainty in the immediate future.

I believe that a commercial software provides an assurance of support and continuity in a future line of work. A company can not upgrade their systems every six months, or update your software every day and, of course, change the architecture of its services because a product is discontinued.

Free software and software can and should coexist in a balanced search for adequate investment in technology higher productivity of both the company and the administration of this country.

6. Often security is not taken into account as a factor for business competitiveness What do you think about it?

who do not take security as a determinant factor for the competitiveness of the company is a danger in managing budgets and should send him to do other work.

In my occupation, performing penetration testing companies, I have seen many companies lose money on insecure systems. Companies that have not been able to work for days because they have settled their mail servers and could not communicate with customers and suppliers, companies that have not been able to pay taxes on time because of computer viruses and directory companies that have robbed money through insecure sites.

The need to explain this should be put on a list of managers that should never be employed in an undertaking.

7. you participated proactively in volunteering Microsoft Security online giving safety talks to children in different schools What has been your experience in this initiative?

Well I had a great, kids are fun and spontaneous. Their reactions are shock, fear and discovery. When you explain the possible problems, risks and what happens on the Internet if precautions are not taken they feel identified. We tell their stories and ask you advice. It's amazing the intensive use give kids Internet today.

always try to make them understand them and parents that the Internet is great and you have to enter, discover, learn, use and take advantage of this gift the Internet, but do so safely.

I enjoyed the experience and repeat insurance.

8. What security measures implemented as an end user? Are you one of the paranoid obsessed with malware that can be inserted into your PC, or rather are those of "home of the blacksmith knife stick?

Well on my computer implemented a political genius. Do not open any mail that comes from who do not know, never use a user privileged or privileges when working with programs or browsing the Internet. All updated. Firewall on. Do not install any software I do not know where it comes from (I have the opportunity to have the TechNet and MSDN subscription to enjoy the software directly from the root) and enjoy a Windows Vista where I have protections active from the beginning. It's pretty easy to keep a Windows Vista or Windows 7 security without much effort. I feel sorry for those poor reinstall your system every six months. My Vista is installed once and do better each day.

9. What is planning conferences recently?

For

now the tour ahead of Summer Of Security four English cities.

Then we have a summer course fantastic at the University of Salamanca where he will gather 15 birds of care in the month of July.

And after this I'm going to Colombia to participate in another international course and then to Las Vegas to participate in the Defcon 17 with a group of English there. As you can see I do not get bored. ;)

10. guess you have asked so many times ... but it is amazing the dedication that you pay to your blog. Where do you get this record to write on a daily basis?

Well I think because after having worked as a painter, bricklayer coating and I think it's a luxury the job I have and really love my job. Like much, but it is a pleasure. In addition to my blog I write what I live, learn, discover, design or pass me. It is a very personal blog where I have many times more to post than actually get, but ... I do not want to be heavier than I already am. If you do it with pleasure ... there is always a minute to post and do not forget that I'm connected to the Internet all the time I am awake;)

11. Why do you think there are so few women in the world of security?

I do not think there are so few, the ratio is more or less the same as in computer science in general. The issue is that the word has spread in the computer career no cute guys (that was totally false because here I am to myself and the rest of the frik ... say .. in engineers) and prefer to throw it more glamorous careers. There really are some very, very, very good, but I think they prefer to remain anonymous. Many of those nicks that are out there are girls, but is difficult to know when Nick is ka8bu_kiFX!

12. give us permission to publish this famous photo of the calendar .... ¿¿????

course, but ... what is corporate and post a photo in Spectra? Lest you run out of work just for showing off. ;)

Chema Thanks for everything, if you see that this blog continues to publish articles, you'll know why ...:)

Mercedes Martin

Enterprise Manager Security and Privacy

Microsoft Spain

Does Down Syndrome Occur More In Different Races

Bobby McFerrin: The pentatonic scale is in us

I've always said: If I could steal someone's talent, would be to Bobby McFerrin. Not only has an incredible vocal ability, that makes "My voice is my instrument," a true reality. It is also an accomplished artist with great creativity and charisma on stage.

Under the World Science Festival , McFerrin was a panelist in the discussion called "Notes and Neurons: In search of a common chorus, which is about our response to music in our cultural background. Bobby, being a master of improvisation, mounted one of his famous performances where he uses the audience as a chorus.

I have seen many of these performances, but this in particular is impressive. Here the artist shows that people are able to "guess" the pentatonic scale, that scale and really "live" within us. It is a demonstration that has in many places, and regardless of what culture is, people always able to follow. It is important to remember that the hearing in this case, n or is formed by musicians but by people from the scientific community .

World Science Festival 2009: Bobby McFerrin Demonstrates the Power of the Pentatonic Scale from World Science Festival on Vimeo .

34 Weeks Baby Has Low Heart Rate

Glossary: \u200b\u200bSound Pressure Level (SPL Sound Pressure Level) Plug Ins Free

The "SPL" refers to the deviation in air pressure over atmospheric pressure, caused by a sound wave.

sounds difficult, it is not. As you know the sound is a traveling wave, which consists of pressure oscillations of the molecules of the means by which advances (air, water or solids). In the case of SPL, these pressure oscillations are measured with respect to atmospheric pressure.

Level Sound pressure is the average logarithmic measure of sound pressure with respect to a reference level. Generally this level is what is considered the sound pressure, the weakest sound audible: 20 micro Pascals.

While the sound pressure is measured in Pascals, Sound Pressure Level measured in decibels SPL, and abbreviated "dB SPL " by the acronym of the Sound Pressure Level. The more decibels SPL has a sound, stronger, or more volume is perceived. Prolonged exposure to levels above 85 dB SPL (approximately) cause temporary hearing loss, but can also cause irreversible damage. Sound pressure levels around 120 dB SPL cause irreversible damage to the ear, and is more or less at this point where the pain threshold. The eardrum must be very tight so as not to break the sound pressure level, your ears hurt.

Above the 194 dB SPL no longer waves become sound and shock waves, such as explosions. They are very destructive.

Below is a table of values \u200b\u200bof Sound Pressure in pascals and sound pressure levels in dB SPL, for some common sound sources.

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Microsoft Security Alert

No.

SAFETY ALERT

July 28, 2009

Executive Summary:

ALERT: MS09-034 / Critical for Internet Explorer versions 5.01, 6, 7 and 8 running on versions of Windows XP, Vista, Windows Server 2003 and Windows Server 2008 MS09-035 / affects the technology applications developed with the Active Template Library (ATL) included in Visual Studio. This update is specifically for developers of components and controls.

Immediate Action: get the security update using: Windows Update, Microsoft Update, entering http://update.microsoft.com For more information go to: http://www.microsoft.com/ athome / security /

Dear Customer: hereby inform you that today Microsoft released two security updates as part of our commitment to keeping our customers safe. These updates are on a vulnerability in components and controls developed with Visual Studio libraries Microsoft Active Template Library (ATL) and an update to Internet Explorer that is critical and seeks to mitigate the attack vector (pages specially developed). So far not detected or reported attacks in Latin America. This update also resolves vulnerabilities in Internet Explorer that could allow remote code execution if a user is viewing pages specially prepared. Users with settings less privileged in their accounts could be impacted less so. This update is critical for Internet Explorer 5.01 and Internet Explorer 6 Service Pack 1, running supported versions of Microsoft Windows 2000, Critical for Internet Explorer 6, Internet Explorer 7 and Internet Explorer 8 running supported versions of Windows XP and Windows Vista, and moderate for Internet Explorer 6, Internet Explorer 7 and Internet Explorer 8 running supported versions of Windows Server 2003 and Windows Server 2008.

Please follow the following recommendations: • The security update MS09-034 for Internet Explorer, it is important to ensure the following steps to protect yourself: - Run Windows Update and make sure to install: Security Update KB 972260 No. • Updating MS09-035 security for Visual Studio, it is important to ensure the following steps to protect yourself: - Run Windows Update and make sure to install: Security Update KB 969706

To find more information to keep protected: http://www.microsoft.com/latam/seguridad/

How to obtain the If you use Windows Vista, you can manage your updates through the control panel. For more information, see Windows Vista: How to upgrade your operating system. To manually download available updates, go to Microsoft Update or, in Windows Vista, go to your control panel. When finished scanning your computer to see which updates it needs, click the Custom button to find the updates to install. We recommend you install all security updates and critical high priority immediately. We recommend that you get the updates delivered automatically to your PC. When the computer is on and connected to the Internet, the latest security updates are downloaded and installed on your computer automatically. To learn how to turn on automatic updating for your particular operating system, see Update your computer automatically For questions and / or advice in this regard, contact for free with Microsoft over PC Secure service at: http://www.microsoft.com/latam/protect/support/ locating the contact information their country. find news in the Microsoft Security blog in Latin America: http://blogs.technet.com/seguridad/ More information is available at Security at Microsoft: http://www.microsoft.com / athome / security Microsoft Security Bulletins: http://www.microsoft.com/latam/technet/seguridad

Thank Microsoft Security Team

What's The Difference Between Minohd And Ultra Hd

SQL Server 2008 Developer Training Kit

This is a downloadable kit to learn everything related to building web applications that exploit the features of SQL Server 2008. Includes 6 presentations, 12 demonstrations and assisted 3 laboratories and is aimed at people who want to improve their skills web programming with the product, with little or no experience with SQL Server 2008. Use it with

Express versions of SQL Server 2008 and Visual Studio Web Developer 2008 for a better experience. Anyway check the examples and resources on this website Express tools, very good. Info

What Does Card Retained Mean

of Antress

Antress has been one of the developers of free VST plug ins most prolific. For a long time are not found anywhere, there was talk that he had disappeared and did not have any plug in again. Now they seem to be back.

The new Flash plug-in is called Verb, which is a reverb plug in rather simple in their controls. With the addition of this plug in, the whole package comes to version 3.96. It is a rack of audio processors for free!

Antress develops plug-ins that mimic hardware units both in appearance and sound. In the picture you can see (from top to bottom) emulations Manley, Tube Tech, API and Empirical Labs, and many more. EQ, VU meters, dynamic processors, processors stereo field, etc ... everything you need for music production is in the package.

I have not personally tested, but many people who wear and love. Even the editors of Mix Rescue section of the Sound on Sound magazine wear them. You can download them directly

here. But I recommend you visit the page Antress to see what the package includes, and see information about each.

Blue Silver Wrapping Paper

New Apple Logic 9

always amazes me the secrecy with which Apple manages to keep the launches of new versions of Logic :-). No one knows absolutely nothing until the day that is already on sale! And the last update to the powerful DAW, Logic 9 , is now on sale!

Paraca be that this update is "a little more of everything", while improving many existing functions. One of the innovations that caught my attention most is the inclusion of the original 3 projects different cations have been "hits." That means you can open the multitrack session of Logic, see what each track, learning what process was used for each, and mixing techniques that producers and engineers used. Excellent!

recording different takes for the same track has also been improved. Logic 9 will automatically create a "Take Folders" every time you need new shots, I can even have multiple "Take Folders" on the same track. This allows you, for example, have several shots to the choir, and several shots to the line and group them separately. There are also many new tools of "comping" to make up your perfect shot from all those stored.

Logic 9 also introduces "Flex Time", new elastic audio features. You can edit your track very naturally without the need to "slicing". Plus, you can quantize audio, or change the timing of audio like MIDI. For guitar

Logic includes two new plugins that will fill with joy. One simulates amps, and lets you choose among 25 heads, 5 EQs, 10 reverbs, 25 cabinets, and 3 microphones to create your own combo of dreams. The other is an effects pedal simulator that offers 30 different models. Logic Imagine, your favorite guitar, and the new Apogee Gio!

Mainstage, the application included with Logic to play live also has had many improvements and new features. It

impossible for me to cover everything in a post, but if you're a Logic user, this is an update that you have. And if you're just starting, and you use Mac, Logic is a better choice for a package all in one. " Its effects and instruments included are professional quality, so with a Mac, Logic, and an interface, you have everything you need to start producing.

is a pity that is not available for PC, software package that represents the best value (and number of applications included) / price. Check out the new Logic 9!

Spanish Phrases Sympathy

Online Marketing: SEO

Technical Data

Online Marketing: SEO, Miguel López Gómez (SEO)
English Gómez Book

1.

objectives of the book What you will learn in this book?

What do you need to know to understand this book?

Who should read this book and why?

Why SEO? What

not find this book? digital edition of the book 2 .- Preliminary steps to SEO.

Edit your web. The FTP service.

A bit of HTML, just Creating a Google account
Creating your Google Gmail account

3 .-

Web Analytics Free services from Google: Using Analytics and Sitemaps Google Analytics for SEO Google Analytics Settings in Advanced Settings web
Google Analytics Web Analytics

Yahoo!

adding their pages to the Google index What is the Sitemaps?
Creating the Working with Google Sitemaps Webmaster Central

Configuring your first account in Google Sitemaps to Google

indicating where the Sitemaps Task Summary
4 .- Basic SEO, the necessary theory. Sectioning


visitors what your visitors are looking for online? When we
SEO?
On what basis is the SEO.

5 .- Beginning SEO work
Election
keywords
List
marketing terms List of terms in a poll list of popular terms

Taking advantage of Google Trends.
6 .- Setting objectives SEO. Knowing the future

: Calculate forecast
visits visits from SERP position
Application for the calculation of estimated visits.
Where do we come? "Where do we go? SERP Monitoring Tools



7 .- Content, content, content!

useful information, fresh information

Flash, the problem of content Density

invisible keyword (keyword density) Long Tail, the long tail keywords Internet marketing: attracting more visitors


8 .- Internal factors structure the information

Link Juice and nofollow attribute importance is not the same as PageRank Subdomains or folders
Naming
pages static or dynamic URL
Passing parameters from dynamic pages. Rewriting
address links. Top of page

Campos validated HTML META META TITLE
META KEYWORDS META DESCRIPTION
Within
Divide page and rule
Organize content with headlines
The amount of text does not affect valid HTML

Writing is not essential, but helps

Images must read Using image search for SEO is to get visitors LINKS
The first link is which has


9 .- Other internal factors to consider

By name will find

Buying domains with web hosting keywords: near or far? Think globally, act locally
Google Local Business Center
local websites, websites designed
Halo Effect


10 .- External factors

structure of links in the PageRank
website
TrustRank
Exchange and buying links online black holes



11 .- Black Hat SEO. Cloaking



invisible text Duplicate SPAM
domains in forums
Using spam links or keywords
forced About Black Hat SEO
Leaving a Google penalty 12 .-

Roadmap SEO SEO
Chops . SEOMOZ.org
SEO Cheat Sheet. Anton
Shevchuck SEO Cheat Sheet


13 .- Follow SEO project. Tracking

position (SERP) SEO

Analytical results. How to setup and monitor Analytics SEO? Rating visits from search engines by volume
rating rating
visits by
visit quality rating by improving the positioning

14 .- Case Studies

Canal Solidario canalsolidario.org
Project Objectives Analysis Analysis
visits keywords Choosing keywords

objective factors


onpage 15 .-

Resources Forums Blogs Books.


16 .- Directory of professionals and companies.

How to choose an SEO company or professional? Professional SEO in Spain Catalunya

Madrid Valencia.
North (Basque Country + Asturias + Navarra)
Castilla y León.

Andalucía Aragón. Canary

Other countries.

USA / Mexico / Argentina.

Links


Online Marketing: SEO, Miguel López Gómez (SEO)

Rapidshare

Wisconsin Template Drivers License

New content in the Thematic Network CriptoRed (June 2009)

brief summary of the developments during the month of June 2009 in CriptoRed, the Latin American Thematic Network on Cryptography and Information Security.
1. NEW DOCUMENTS TO DOWNLOAD FREE FROM THIS MONTH CriptoRed
* Update File Information Security Subject Tests Resolved EUI - UPM (Jorge Ramió, Word, 30 exams, Spain)

http://www.criptored.upm.es/examen/
e_eui_upm.htm

* Understanding the Basics of anonymizers (Nicolas Aristizabal, Javier Alexander Cristancho, Oswaldo Andres Romero, Directorate Jeimy Cano, PDF, 10 pages Colombia)
http://www.criptored.upm.es/guiateoria/gt_m142j1.htm